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Monchito Merlo was born on January 19, 1954, in Barrio Saladillo, the most Chamamecero neighborhood of Rosario. Son of entrerrianos, his father Ramón Merlo and his Mom Emma Baez from Villa Constitución Santa Fe, move to Pueblo Nuevo, a neighbouring town of Rosario.
When he was 15 years old, he recorded his first full-length. After four other recordings, already in 1982 he is hired by Polygram (11Cds). After that he recorded several other albums with numerous companies.
He has participated in numerous festivals: “Cosquín”, “Jesús Maria”, “Festival del Chamamé en Federal” (Entre Rios), “Festival del Chamamé en Corrientes”, the latter two before 20,000 people each. She performed almost all over the country: Bariloche, Ushuaia, Rio Grande, Rivadavia (Mendoza), Jineteada de San Justo, Tostado (Santa Fe), Guitar Festival in Dolores (Buenos Aires) and typical peasant dancers, which are sacred for Monchito.
In 1998 I presented his work “Entre chamamé y sapucay” in New York at the festival organized by U.D.E.A (Union of Entities of Argentina). He reappeared in May and June 1999, at Gioconda Banquet May in Toronto, Canada .
On the 18th and 20th of that month, he made his presentation at the public library in Quess, Jackson Heights and Flushing, and Saturday 22nd was the U.D.E.A special night as everything collected went to our country's border schools.
Monchito Merlo performed in December 1998 in Passo Fundo, Brazil. In January 1999 he performed at the Durazno Festival (Durazno-Uruguay).
Countless are the works (almost all of his authorship) that appear in his repertoire: “Paso lagoon”, “To get to San Javier”, “Zapateando”, “La Verbena”, “Gallopando por arrive”, “Tired eyes”,” Campereando”, “By the shortcut”, “You know” , “Failure” (together with Elpidio Herrera) etc.
In 2005 he filmed “CHAMAME”, a documentary with German production , under the direction of Nina Klingen and Cosima Lange where he tells the life and custom of Monchito Merlo, Chango Spasiuk, Gisela Méndez and Alberto Bofil. In this film you can see chamamé in its different styles, with Monchito being the most popular and campero with Horacio Guarany. Also Monchito's own children are seen in this film as special guests.
Then came “I doy sombra often”, entrerriana production filmed entirely in Federal that shows the national chamamé festival inside.
Finally, under the auspices of Culture of the province of Santa Fe, a film called “La canción del lugar” was made where he shows from the beginning to the present the life and career of Monchito Merlo.
Son of Ramón Merlo and Emma Baez, Monchito followed in his father's footsteps to make music. He was a musician who shared his artistic days with Tarragó Ros , Ernesto Montiel and the grandes of the chamamé of the time. From his father he learned to play the accordion and the cadences of the Litoral came to him from his neighbors entrerrianos and Correntinos, who were then based in Pueblo Nuevo.
The artist, faithful to the family tradition, follows in his father's footsteps, honoring an artistic heritage that he carries forward with a genuine commitment he made to the folk art of his land.
An inheritance that moved, at least, one more generation. Over time, Simon and Mauri arrived. Two of Monchito's sons who, as they could not be otherwise, grabbed the accordion from a very young age. They followed the example of his grandfather Ramón and his own father. The kids have been walking along the coastal roads that have already marked their ancestors.
On weekends they perform in peasant dances and tour the Argentine provinces, performing in numerous festivals: “La Fiesta de la Signada” in Cushamen, Chubut ; at the Indoamerican Festival” in El Maitlén, Chubut; Festival del Chamamé Federal (Entre Rios), Dressage and Folklore Festival” by Jesús Marí ; a, Cordoba, Esquilla Festival in Chubut, Harvest Festival in Monte Caseros, Corrientes.
They have also been part of many television music programs.
Publication Date: 04/02/2021
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