“Don't censor humor”

“Comico is born”, says Juan Acosta, one of the most beloved comedians who filled the corners of the country with laughter more than thirty years ago. Lucky for contemporary Dringue Farias, that tremendous standuero porteño before on these shores was known the stand up, googleen if they don't believe me, Acosta says that humor was always in his veins, since “the fifth grade lady in La Matanza took me all over the school because my verses were funny,” says who shared scenarios with Alejandro Urdapilleta and Batato Barea became a fundamental of the Gasalla clan, in the early nineties, with his stainless Naboletti.“Tragic situations make me laugh a lot. For example, being in the hospital the day my mom dies and being asked what the lady is going to have breakfast,” confesses the actor who also stood out in magazine theater with Moria Casán and Nito Artaza.Always at the limit, today the front of Controversy in Rock  at Nacional Rock or in samples of his paintings, Juan is increasingly involved in virtual polemics, and the others, but with the conviction that “artists sometimes have words that contradict each other and we are polite.by nature. That's exactly what we can't betray. It happens that we live in a country of rabble and fair ladies. You put on the TV at any time and we're eating the leather between us,” he smiles with a grimace.